Chinatown: The Pui Tak Center

The Pui Tak Center during its 2009 restorationPhoto courtesy: Wikipedia

The Pui Tak Center during its 2009 restoration
Photo courtesy: Wikipedia

 

From Wikipedia:

The Pui Tak Center (Chinese: 中心; Mandarin Pinyin: Péidé Zhōngxīn; Jyutping: pui4 dak1 zung1 sam1; Cantonese Yale: Pùihdāk Jūngsām; literally “cultivating virtue center”), formerly known as the On Leong Merchants Association Building, is a building located in Chicago’s Chinatown. Designed by architects Christian S. Michaelsen and Sigurd A. Rognstad, the building was built for the On Leong Merchants Association and opened in 1928. The Association used it as an immigrant assistance center, and the building was informally referred to as Chinatown’s “city hall”. In 1988, the FBI and Chicago Police raided the building as part of a racketeering investigation. The US federal government seized the building that same year.

The building was purchased by the Chinese Christian Union Church (CCUC) for $1.4 million and renamed the Pui Tak Center in 1993. That same year, the On Leong Merchants Association Building was designated a Chicago landmark by the Commission on Chicago Landmarks. The CCUC spent $1 million raised from community donations to renovate and update the building’s neglected interior. The newly-named Pai Tak Center now hosts various religious, community, and educational programs, such as English-as-a-Second-Language courses (ESL).

In the 1920s, Chinese community leaders secured approximately 50 ten-year leases on properties in the newly developing Chinatown.  Jim Moy, director of the Association, then decided that a Chinese-style building should be constructed as a strong visual announcement of the Chinese community’s new presence in the area.  With no Chinese-born architects in Chicago at the time, Chicago-born Norse architects Christian S. Michaelsen and Sigurd A. Rognstad were asked to design the On Leong Merchants Association Building in the spring of 1926.  Moy decided to employ the pair again after Michaelsen and Rognstad’s firm built Moy’s Peacock Inn in Uptown in 1920.

After studying texts on Chinese architecture, Michaelsen and Rognstad’s final design was an example of Orientalism, a Western architect’s interpretation of Chinese architectural forms.  A good substitute for the liu li glazed ceramic found in traditional Chinese architecture, Rognstad designed exterior Teco sculptural accents, a type of terra cotta produced by Crystal Lake, Illinois‘s American Terra Cotta Company.  When the building plans were announced in the Chicago Tribune on July 4, 1926, the building was called, “One of the most expensive and elaborate buildings ever erected in America by the Chinese”.  Construction began in 1926 and was completed a year later for the cost of $1 millon.

In preparation for the restoration work, the structural and architectural engineering firm Wiss, Janney, Elstner Associates completed an evaluation of the building’s eastern and southern facades, focusing on its terra cotta portions.  By using ultrasonic testing, engineers were able to evaluate the state of the terra cotta without further damaging the pieces. Severely cracked or damaged pieces were partially removed and a report was written from these findings.  This report provided recommendations for the masonry facade and terra cotta repair work.  Restoration work began in spring 2009 and is scheduled for completion in early 2010.  All of the damaged terra cotta elements have been replaced on the south tower and parapet, and scaffolding has been erected on building’s eastern facade in preparation for further restoration work.  Fully restoring the building’s exterior terra cotta pieces and clay roof tiles is the first step in a long-range $2 million repair plan.

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Here are a few images of the restored Pui Tak Center’s glazed terra cotta tile pieces, which I took during my short visit to Chicago’s Chinatown:

Pui Tak Bldg Detail-1

A bit of damage has been done here at the northeast corner of the building, because it borders on an alleyway used by delivery trucks.

Pui Tak Bldg Detail-2

The south wall off the doors located in the final image of this post.  This peacock faces his twin, standing regally on the opposite wall.

Pui Tak Bldg Detail-3

Here’s a closer look at the craftsmanship of this peacock.

Pui Tak Bldg Detail-4

Looking up at the ceiling of the entrance seen in the next image.

Not exactly 'tile', but the door handles, rails, and leaded glass of this entrance truly intrigued me!

Not exactly ’tile’, but the door handles, rails, and leaded glass of this entrance truly intrigued me!

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Almost 91 years old…

…and still going strong!

The Chicago Theatre–State Street/Lake Street in the Chicago Loop

From the Chicago Theatre’s website, where you can also view several pictures of the interior:

The grandeur of The Chicago Theatre often leaves its visitors breathless. The elegant lobby, majestic staircase and beautiful auditorium complete with murals above the stage and on the ceiling, are components of an amazing building called “the Wonder Theatre of the World” when it opened on October 26, 1921.

The Chicago Theatre was the first large, lavish movie palace in America and was the prototype for all others. This beautiful movie palace was constructed for $4 million by theatre owners Barney and Abe Balaban and Sam and Morris Katz and designed by Cornelius and George Rapp. It was the flagship of the Balaban and Katz theatre chain.

Built in French Baroque style, The Chicago Theatre’s exterior features a miniature replica of Paris’ Arc de Triomphe, sculpted above its State Street marquee. Faced in a glazed, off-white terra cotta, the triumphal arch is sixty feet wide and six stories high. Within the arch is a grand window in which is set a large circular stained-glass panel bearing the coat-of-arms of the Balaban and Katz chain – two horses holding ribbons of 35-mm film in their mouths.

The grand lobby, modeled after the Royal Chapel at Versailles, is five stories high and surrounded by gallery promenades at the mezzanine and balcony levels. The grand staircase is patterned after that of the Paris Opera House and ascends to the various levels of the Great Balcony.

The 3,600 seat auditorium is seven stories high, more than one half of a city block wide, and nearly as long. The vertical sign “C-H-I-C-A-G-O,” at nearly six stories high, is one of the few such signs in existence today. A symbol of State Street and Chicago, the sign and marquee are landmarks in themselves, as is the 29-rank Wurlitzer theatre pipe organ.

Read more here.

These shots were taken last Saturday afternoon while walking north on State Street.  Here’s a view of the theatre from the intersection with Benton Place–notice the water storage tank (used in case of a stage fire) and the signage painted on the brick, making it obvious that the tall building on the south side of Benton did not exist when the theatre was built!

The Chicago Theatre (south facade)–Benton Place

The Belle Shore Apartment Hotel

Built in 1929, this Art Deco apartment hotel is located in the Bryn Mawr Historic District at Bryn Mawr and Winthrop Avenues.  It certainly is a beauty, isn’t it?  I love all the different glazed terracotta tiles used in its facade!

Image courtesy Wikipedia Commons

While walking down Bryn Mawr one sunny day recently, I took a few more-detailed images.

Belle Shore Apartment Hotel Sign

Belle Shore Apartment Hotel Entrance

While working with these two shots, I thought it would be nice to see what they would look like now if I had been able to take them back in the early 1930s.  So…I ‘played’ and came up with some fine sepia tone prints, which look as if they might have been hidden away in an old shoe box on the closet shelf.